LatinoStories.com
The Credible Source for Latino Literature
Home
Contact Us
About Us
Devil's Highway
Border Region and Coyotes
Books by Urrea
Citizenship Test
Immigration Books
Films on
Immigration
Resources for Teaching
Luis Alberto Urrea's
The Devil's Highway
|
Author and Interview Links |
| Interview with Luis Alberto Urrea by Dan Olivas |
| The Chattahoochee Review Interview |
| Conversations with Ilan Stavans: Luis Alberto Urrea |
| Luis Alberto Urrea Website |
| San Francisco Public Library Audio Interview with Luis Alberto Urrea |
| Waterbridge Interview with Luis Alberto Urrea |
| 1941 Time Magazine Article on Devil's Highway |
| Cops, Coyotes and the Politics of Stupidity by Luis Alberto Urrea |
| "Sed a Trail of Thirst" Essay by Orlando Lara |
| "The Southwest Defined" Essay |
| Border Studies: Texas and Mexico |
| Maps, Charts and Diagrams of U.S.-Mexico Border |
| National Geographic Border Crossing Photos |
| The Devil's Highway Map |
| Teacher Guide for The Devil's Highway |
| Bombs Away: Is the Military About to Blow Its Chance to Protect Southwestern Desert Land |
| National Geographic: "U.S.-Mexico Barrier Spurring Even More Foot Traffic, Enviro Demage" |
| Questions for The Devil's Highway |
| Life on the Line: The Arizona-Mexico Border" by Philip Caputo |
| "Border Town: A Photo Essay" by Reynaldo Leal |
| Poor immigrants with no other alternatives eventually have to resort to the desperate measure of relying on Coyotes, who smuggle them into the United States. As you read material from the following resources, consider how Across a Hundred Mountains' portrayal of this desperation and the dangers associated with crossing the border is (or is not) consistent with what is portrayed by today's media. |
| "Coyotes: Criminals to the U.S. but Heroes to Many Immigrants": USA Today |
| Illegal Immigration and Enforcement Along the Southwest Border by Pia M. Orrenius |
| Illegal Immigration and Human Smuggling: by Melinda S. Oja |
| President Bush Discusses Border Security and Immigration Reform in Arizona |
| "People Smugglers, Inc.": Time Magazine |
| "More victims of US immigration policy: 14 Mexicans die in Arizona Desert" |
| US Immigration Battle Goes Below: BBC News |
| Library of Congress Site on Immigration--includes interviews and teacher resources |
| NPR: The Hidden Costs and Benefits of Illegal Immigration |
| NPR: Arrests at U.S.-Mexico Border Drop |
|
Questions from New Pilot |
|||
|
|
|
| From Booklist: So many illegal immigrants die in the desert Southwest of the U.S. that only notorious catastrophes make headlines. Urrea reconstructs one such incident in the Sonoran Desert, the ordeal of sun and thirst of two dozen men in May 2001, half of whom suffered excruciating deaths. They came from Vera Cruz; their so-called guide came from Guadalajara. Jesus Lopez Ramos was no master of orienteering, however, just an expendable bottom-feeder in the border's human-smuggling racket. Tracing their lives and the routes to the border, Urrea adopts a slangy, surreal style in which the desert landscape shimmers and distorts, while in desiccated border settlements criminals, officials, and vigilantes patrol for human cargo such as the men from Vera Cruz. The imaginative license Urrea takes, paralleling the laconic facts of the case that he incorporates into his narrative, produces a powerful, almost diabolical impression of the disaster and the exploitative conditions at the border. Urrea shows immigration policy on the human level. Gilbert Taylor Copyright © American Library Association. All rights reserved | |
| It should be everywhere, and it should make Urrea a major voice in contemporary Latino Literature. John S. Christie. LatinoStories.Com Review. | |
| From Publishers Weekly Urrea, a Mexican-born American, worked from 1978 to 1982 for a Protestant aid group in Tijuana, and he wrote these fragmentary, evocative tales of heartbreak and hope for the San Diego Reader after he returned to the region in 1990. "Poverty is personal: it smells and it shocks and it invades your space," Urrea declares, and he admits to being thrilled by both the goodness and the squalor he knew intimately. He visits the dumps where people live, their possessions a bed and a car-battery-powered television. He travels with a Tijuana cop, working "a city of famed vice," and learns how the cop extracts sexual favors from American women. In one arresting chapter he records his father's death in a car accident, the tragedy compounded by police and funeral costs and a battle with the father's insurance company. Urrea ends with a manic, magic "Christmas story," about a gift giveaway organized by a San Diego rock radio station and attended by a band called the Trash Can Sinatras. There Urrea reunites with Negra--who as a little girl made a shrine out of the doll he gave her, and who says, "I never forgot you, Luis." Photos not seen by PW . Copyright 1992 Reed Business Information, Inc. |
|
| From Publishers Weekly Urrea has an almost evangelical zeal to communicate the sad lot of Mexico's "untouchable class," a border population abandoned by their country, at times by their own kin. This collection of repportage, like his Across the Wire, originates in Urrea's years helping California missionaries deliver food and medicine to orphanages and inhabitants of a moldering garbage dump near Tijuana. Here, people's lives are wholly delimited by this universe of decomposing waste. They mine their livelihood in hidden treasures?a can of food, cast-off clothing, scrap wood for a house. Passions fester and erupt; nobility and sacrifice coexist with greed, cruelty and rage.... In 10 stark, intimate, riveting essays, Urrea passes no judgment, but attempts to show why his subjects risk all for the chance of something better across the border. Their privation provokes incomprehensible acts, incomprehensible unless one has been in their situation. Urrea has shared their lives and he emerges with strong opinions on those responsible for such misery, and fears of what it forebodes for the course of America's future. Well worth reading in our age of escalating xenophobia. Copyright 1996 Reed Business Information, Inc. |
|
| From Library Journal "Words are the only bread we can
really share," is the peaceful conclusion reached by the author of
these energetic and darkly humorous memoirs about a childhood
divided between Mexico and the United States. The third part of the
trilogy begun with Across the Wire (LJ 1/93), this book establishes
Urrea's prominence among Chicano writers. Whether he is describing
the politics of his bicultural family or the polarities of a place
like Tijuana, he deftly dissects the bilingual jokes and clich?s of
Chicano culture. The pace of the storiesAoften based on dialog and
vivid anecdoteAis brisk. The content can be tender (e.g., when
dealing with older female faith healers) or brutal (when describing
the realities of borderland machismo). The essential tone, however,
is of self-deprecating humor about the challenge of explaining a
dual identity, a task he accomplishes with passion and
understanding. Recommended for Latino literature collections.
ARebecca Martin, Northern Illinois Univ., DeKalb Copyright 1998 Reed Business Information, Inc. |
|
|
Films About Latino Immigration Try the FREE surname search at the Origins Network and trace your origins online For those who want to search family history: OneGreatFamily |
|
|
Copyright 2006 LatinoStories.com
design and content by John S. Christie and Jose B. Gonzalez
Copyright 2006 Latino Boom: An Anthology of U.S. Latino Literature, Pearson
Education, Inc.
Copyright 2006 Latino Fiction and the Modernist Imagination, John S. Christie
Last Updated:
December 19, 2007
Click Here
to Visit our Exclusive Hot Deals Coupon Code Page