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Latino Fiction &
T
he Modernist Imagination

By John S. Christie, Ph.D.
Google
 
1. The Narrative Techniques of the Border 6. Flowers of the Dead: The Latino Quest for Ancestors
2. The "Magic" of Influence Upon Latino Narrative     WORKS CITED PAGE
3. Latino Voices and "English Con Salsa"  
4. Dreams & Betrayals: Latinos Between Worlds
5. Carnival & the Dept. Store Called "America" 
 

Works Cited

 

Abella, Alex. The Killing of the Saints. New York: Penguin Books, 1991.

Agueros, Jack. Dominos and Other Stories from the Puerto Rican.  Willimantic, Ct.: Curbstone Press, 1993.

Agosin, Margorie, ed. Secret Weavers: Stories of the Fantastic by Women Writers of Argentina and Chile.  Fredonia, New York: White Pine Press, 1992.

Akers, John C. "Fragmentation in the Chicano Novel: Literary Technique and Cultural Identity." Revista Chicano Riquena. 13.3-4 (1985): 121-135

Alarcon, Norma. "The Sardonic Powers of the Erotic in the Work of Ana Castillo." Horno-Delgado 94-107.

Alegria, Fernando.  Nueva historia de la novela hispanoamericana.  Hanover, NH: Ediciones del Norte, 1986.

---,  and Jorge Ruffinelli, eds.  Paradise Lost or Gained?: The Literature of Hispanic Exile.  Houston: Arte Publico Press, 1990.

Alexander, Marguerite. Flights from Realism: Themes and Strategies in Postmodernist British and American Fiction. London: Edward Arnold, 1990.

Alvarez, Julia. How the Garcia Girls Lost Their Accents. New York: Penguin, 1991.

---. In the Time of the Butterflies. Chapel Hill: Algonquin Books, 1994.

Anaya, Rudolfo A. Bless Me, Ultima. Berkeley, CA: Tonatiuuh-Quinto Sol, 1972.

---, and Antonio Marquez, eds.  Cuentos Chicanos.  Albuquerque: University of New Mexico Press, 1984.

Anzaldua, Gloria.  Borderlands / La Frontera: The New Mestiza.  San Francisco: Spinsters Aunt Lute Book Company, 1987.

---. "Ghost Trap." Tatum 40-42.

---, ed. Making Face, Making Soul Haciendo Caras: Creative and Critical Perspectives by Women of Color.  San Francisco: Spinsters Aunt Lute Book Company, 1990.

---. "People Should not Die in June in South Texas." Augenbraum and Stavans 280-287.

---, and Cherrie Moraga, eds. This Bridge Called My Back: Writings By Radical Women of Color.  New York: Kitchen Table: Women of Color Press, 1981.

Aparicio, Frances R.. "On Sub-versive Signifiers: U.S. Latina/o Writers Tropicalize English."  American Literature. 66 (1994): 795-801.

Arias, Ron.  Interview. Chicano Authors: Inquiry by Interview. Ed. Juan Bruce-Novoa. Austin and London: University of Texas Press, 1980. 

---. "The Mexican Way of Death: Celebrate it, Play with it, Challenge it."  Los Angeles Times  17 Nov. 1981. B2.

---. The Road to Tamazunchale. New York: Doubleday Anchor Books, 1987.

Ashcroft, Bill, Gareth Griffiths and Helen Tiffin.  The Empire Writes Back. London and New York: Routledge, 1989.

---, Gareth Griffiths and Helen Tiffin, eds. The Post-Colonial Studies Reader. London and New York: Routledge, 1995.

Augenbraum, Harold and Ilan Stavans, eds. Growing Up Latino: Memoirs and Stories. Boston: Houghton Mifflin Co., 1993.

Baker, Houston A., Jr., ed. Three American Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature.  New York: MLA, 1982.

Bakhtin, Mikhail.  The Dialogic Imagination.  Trans. Caryl Emerson and Michael Holquist. Ed. Michael Holquist.  Austin: University of Texas Press, 1981.

---.  Problems of Dostoyevsky's Poetics  Trans. and Ed. Caryl Emerson. Minneapolis: University of Minnesota Press, 1984.

---.  Rabelais and His World. Trans. Helene Iswolsky.  Bloomington: Indiana University Press, 1984.

---.  Speech Genres and Other Later Essays.  Trans. Vern W. McGee. Ed. Caryl Emerson and Michael Holquist.   Austin: University of Texas Press, 1986.

 

 

Bauer, Dale and Jaret McKinstry, eds.  Feminism, Bakhtin, and the Dialogic.  New York: State University of New York Press, 1991.

Bevan, David, ed. Literature and Exile. Amsterdam and Atlanta, GA: Rodopi, 1990.

Bhabha, Homi, ed.  Introduction.  Nation and Narration.  By Bhabha.  London and New York: Routledge, 1990.

Benitez, Sandra.  A Place Where the Sea Remembers.  Minneapolis: Coffee House Press, 1993.

Borges, Jorge Luis.  "Narrative Art and Magic."  Borges A Reader: A Selection from the Writings of Jorge Luis Borges. Ed. Emir Rodriguez Monegal and Alastair Reid. New York: E.P. Dutton, 1981. 34-38.

Bradbury, Malcolm, and James McFarlane, eds. Modernism: A Guide to European Literature 1890-1930.  1976.  New Preface.  London: Penguin, 1991.

Brathwaite, Edward Kamau.  "Nation Language." The Post-Colonial Studies Reader. Ed. Bill Ashcroft, Gareth Griffiths and Helen Tiffin.  London and New York: Routledge, 1995.

Bruce-Novoa, Juan.  Chicano Authors: Inquiry by Interview.  Austin and London: University of Texas Press, 1980.

---.  "Deconstructing the Dominant Patriarchal Text: Cecile Pineda's Narratives."  Horno-Delgado 72-81.

---.  Retrospace: Collected Essays on Chicano Literature.  Houston: Arte Publico Press, 1990.

Brushwood, John S. "Reality and Imagination in the Novels of Garcia Marquez." Latin American Literary Review. 13 (1985): 9-14.

Calderon, Hector, and Jose David Saldivar, eds.  Criticism in the Borderlands: Studies in Chicano Literature, Culture, and Ideology.  Durham and London: Duke University Press, 1991.

---.  "Rudolfo Anaya's Bless Me, Ultima: A Chicano Romance of the Southwest." Critica 1.3 (1986): 21-47.

Candelaria, Nash.  Memories of the Alhambra.  Tempe, Arizona: Bilingual Press/Editorial Bilingue, 1977.

Carpentier, Alejo.  Prologue. The Kingdom of this World.  By Carpentier.  Trans. Harriet de Onis. London: Andre Deutsch, 1990.

Castedo, Elena.  Paradise.  New York: Grove Weidenfeld, 1990.

Castellanos, Rosario. The Nine Guardians. Trans. Irene Nicholson. London: Faber and Faber Limited, 1959.

Castillo, Ana. The Mixquiahuala Letters. Binghamton New York: Bilingual Press/Editorial Bilingue, 1986.

---. Sapogonia. Tempe, Arizona: Bilingual Press/Editorial Bilingue, 1990.

---. So Far From God. New York: Norton, 1993.

Castillo, Debra A.  Talking Back: Toward a Latin American Feminist Literary Criticism. Ithaca and London: Cornell University Press, 1992.

Castro-Klaran, Sara,  Sylvia Molloy and Beatriz Sarlo, eds.  Women's Writing in Latin America: An Anthology.  Boulder: Westview Press, 1991.

Chanady, Amaryll Beatrice.  "Latin American Discourses of Identity and the Appropriation of the Amerindian Other." Sociocriticism  6.1-2 (1990): 33-48.

---.  Magical Realism and the Fantastic: Resolved Versus Unresolved Antinomy.  New York & London: Garland Publishing, Inc., 1985.

Chapman, Seymour.  Story and Discourse: Narrative Structure in Fiction and Film.  Ithaca and London: Cornell University Press, 1978.

Chavez, Denise.  Face of an Angel. New York: Farrar, Straus and Giroux, 1994. 

---.  The Last of the Menu Girls. Houston: Arte Publico Press, 1986.

Christian, Karen.  "Will the 'Real Chicano' Please Stand Up? The Challenge of John Rechy and Sheila Ortiz Taylor to Chicano Essentialism." America's Review. 20.2 (1992): 89-104.

Cisneros, Sandra. The House on Mango Street. Houston: Arte Publico Press, 1984.

---. Women Hollering Creek and Other Stories. New York: Random, 1991.

Clark, Katrina and Michael Holquist.  Mikhail Bakhtin.  Cambridge, Mass: Harvard University Press, 1984.

Clayton, Jay.  The Pleasures of Babel: Contemporary American Literary Theory. New York and Oxford: Oxford University Press, 1993.

Cofer, Judith Ortiz. The Latin Deli. Athens and London: University of Georgia Press, 1993.

---. The Line of the Sun.  Athens and London: University of Georgia Press, 1989.

---.  Silent Dancing.  Houston: Arte Publico Press, 1990.

Corpi, Lucha. Delia's Song. Houston: Arte Publico Press, 1989.

---. Eulogy for a Brown Angel: A Mystery Novel. Houston: Arte Publico Press, 1992.

Cypess, Sandra Messinger.  La Malinche in Mexican Literature: From History to Myth.  Texas Pan American Series. Austin: University of Texas Press, 1991.

Davidson, Ned J.  The Concept of Modernism in Hispanic Criticism.  Boulder: Pruett Press, Inc., 1966.

Deaver, William O. Jr.  "Raining Backwards: Colonization and the Death of a Culture." America's Review. 21.1 (1993): 112-118

Diaz Arcadio. La memoria rota.  Rio Piedras, Puerto Rico: Ediciones Huracan, Inc., 1993.

Dorfman, Ariel and Armand Mattelart.  How to Read Donald Duck. Trans. David Kunzle. New York: International General, 1984.

Doyle, Jacqueline.  "More Room of Her Own: Sandra Cisneros's The House on Mango Street.  Melus 19.4 (Winter 1994): 5-35.

DuPlessis, Rachel Blau. "For the Etruscans." The New Feminist Criticism. Ed. Elaine Schowalter. New York: Pantheon Books, 1985. 271-291.

Duran, Richard P.  ed. Latino Language and Communicative Behavior.  Advances in Discourse Processes 6.  Norwood, New Jersey: ABLEX Publishing Corporation, 1981.

Eliot, T.S.  The Sacred Wood. London and New York: Methuen, 1920.

Eliade, Mircea.  Myths, Dreams, and Mysteries.  Trans. Philip Mairet. New York: Harper and Row, 1960.

Espada, Marton. "Culture and Independence in Puerto Rico."  Being America." Ed. Rachel Weiss and Alan West. Fredonia, New York: White Pine Press, 1991.

Estes, Clarissa Pinkola.  Women Who Run with the Wolves.  New York: Ballantine Books, 1992.

Faulkner, William. "Dry September." Selected Short Stories of William Faulkner.  New York: Random House, 1930.  62-77.

Febles, Jorge.  "English and Spanish Pop Songs as Part of Character Speech: Cultural Hybridity in Roberto G. Fernandez's Raining Backwards."  Imagination, Emblems and Expressions: Essays on Latin American, Caribbean, and Continental Culture and Identity. Ed. Helen Ryan-Ranson. Bowling Green, Ohio: Bowling Green State University Popular Press, 1993.  99-108. 

---.  "El pretexto de la parodia o la parodia del pre-texto: en turno a un capitulo de Raining Backwards.Hispania. 75.1 (1992): 69-77. 

---.  "Risa, crisis y cornonacion paradica: lo carnavalesco en La vida es un special $1.50 .75."  Confluencia: Revista Hispanica de Cultura y Literatura.   Vol. 3.1 (1988): 123-128.

Fernandez, Roberta. "'The Cariboo Cafe:' Helena Maria Viramontes Discourses with her Social and Cultural Contexts."  Women's Studies. 17.1-2 ( 1989): 71-85.

---.  Intaglio. Houston:  Arte Publico Press, 1990.

---.  ed.  In Other Words: Literature by Latinas of the United States. Houston: Arte Publico Press, 1994.

Fernandez, Roberto G. Raining Backwards. Houston: Arte Publico Press, 1988.

Fernandez, Ronald.  Prisoners of Colonialism: The Struggle for Justice in Puerto Rico. Monroe, Maine: Common Courage Press, 1994.

Flores, Angel.  "Magical Realism in Spanish American Fiction." Hispania 38 2 (May 1955): 187-192.

Flores, Juan. Divided Borders: Essays on Puerto Rican Identity.  Houston: Arte Publico Press, 1993.

 

 

 

 

---, and George Yadice.  "Living Borders/Buscando America: Languages of the Latino Self-Formation."  Social Text 24 (1990): 57-84.  Rpt. in Divided Borders: Essays on Puerto Rican Identity. Houston: Arte Publico Press, 1993. 199-224.

Foster, David William, ed.  Handbook of Latin American Literature. 2nd ed.  New York and London: Garland Publishing Inc., 1992. 

Franco, Jean.  Plotting Women: Gender and Representation in Mexico.  Gender and Culture Series.  New York: Columbia University Press, 1989.

Franklet, Duane. "Social Language: Bakhtin and Viramontes." America's Review. 17.2 (1989): 110-114.

Friedman, Ellen G. "Where are the Missing Contents? (Post)Modernism, Gender, and the Canon." PLMA. 108 (March): 1993.

Fuentes, Carlos.  La nueva novela hispanomericana.  Mexico City: Joaquin Mortiz, 1969.

Fusco, Coco. English is Broken Here: Notes on Cultural Fusion in the Americas. New York: The New Press, 1995.

Garcia, Guy.  Obsidian Sky.  New York: Simon and Schuster, 1994.

---.  "La Promesa."  Soto 133-151.

Garcia, Cristina. Dreaming in Cuban. New York: Knopf, 1992.

---.  "Tito's Good-bye." Iguana Dreams: New Latino Fiction.  Ed. Delia Poey and Virgil Suarez. New York: HarperPerennial, 1992.

Garcia Marquez, Gabriel. "Big Mama's Funeral." Collected Stories. Trans. J.S. Bernstein. New York: Harper, 1984. 184-200.

Genishi, Celia.  "Codeswitching in Chicano Six-Year-Olds."  Duran 133-152.

Gilb, Dagoberto. The Last Known Residence of Mickey Acuna. New York: Grove Press, 1994.

---.  The Magic of Blood. Albuquerque: University of New Mexico Press, 1993.

 Gilbert, Sandra M. and Susan Gubar.  "The Female Imagination and the Modernist Aesthetic." Intro. Women's Studies. Vol. 13, 1986, 1-10.

Giordano, Jaime.  "Hacia una definicion del realismo en la novela hispanomericana contemporanea."  Nueva narrativa hispanoamericana 1 (1971): 127-132.

Goldman, Francisco.  The Long Night of White Chickens.  New York: Atlantic Monthly Press, 1992.

Gomez, Alma, Cherrie Moraga, and Mariana Romo-Carmona,  eds.  Cuentos: Stories by Latinas.  New York: Kitchen Table: Women of Color Press, 1983.

Gomez-Vega, Ibis.  "Debunking Myths: The Hero's Role in Ana Castillo's Sapogonia. Americas Review. 22.1-2 (1994): 244-258.

Gonzales-Berry, Erlinda and Tey Diana Rebolledo. "Growing up Chicano: Tomas Rivera and Sandra Cisneros."  Revista Chicano Riquena. 13.3-4 (1985): 109-119. New York and London: Garland Publishing Inc., 1992.      

---.  and Santa Arias.  "Latino Writing in the United States."  Handbook of Latin American Literature. Ed. David William Foster. 2nd ed. New York and London: Garland Pub. Co., 1992. 649-645.

---.  Rev. of Face, by Cecile Pineda. Americas Review  15.2 (1987): 107-109.

Gonzalez, Ray. ed. Mirrors Beneath the Earth: Short Fiction by Chicano Writers. Willimantic: Curbstone Press, 1992.

---,  ed. Currents from the Dancing River: Contemporary Latino Fiction, Nonfiction and Poetry. San Diego, New York, London: Harcourt Brace & Co., 1994.

Gonzalez Echevarra, Roberto.  Alejo Carpentier: The Pilgrim at Home.  Austin: University of Texas Press, 1977.

Gonzalez-Crussi, F. The Day of the Dead and other Mortal Reflections. New York: Harcourt Brace and Co., 1993.

Gonzalez-Wippler, Migene.  Santeria: The Religion.  2nd. ed. St. Paul: Llewellyn Publications, 1994.

Guerra Cunningham, Lucia. ed. Splintering Darkness: Latin American Women Writers in Search of Themselves.  Pittsburgh, PA: Latin American Literary Review Press, 1990.

Guizado, Eduardo Camacho.  "Notas sobre la nueva novela hispanoamericana." Nueva narrativa hispanoamericana 1 (1971): 133-135.

Harper, Phillip Brian. Framing the Margins: The Social Logic of Postmodern Culture. New York, Oxford: Oxford University Press, 1994.

Hemingway, Ernest.  Death in the Afternoon.  New York: Charles Scriber's Sons, 1932.

Hernandez, Guillermo E.  Chicano Satire: A Study in Literary Culture.  Austin: University of Texas Press, 1991.

Hernandez Cruz, Victor.  "Mountains in the North: Hispanic Writing in the USA. Americas Review. 14. 3-4 (1986): 110-114.

Hererra-Sobek, Maria. ed. Beyond Stereotypes: Critical Analysis of Chicana Literature. Binghamton, New York: Bilingual Press/Editorial Bilingue, 1985.

---,  and Helena Maria Viramontes, eds.  Chicana Creativity and Criticism: Charting New Frontiers in American Literature.  Houston: Arte Publico Press, 1988.

Heyck, Denis Lynn Daly. Barrios and Borderlands: Cultures of Latinos and Latinas in the United States. New York: Routledge, 1994.

Hicks, Emily. Border Writing: The Multidimensional Text. Theory and History of Literature Series 80.  Minneapolis and Oxford: University of Minnesota Press, 1991.

Hijuelos, Oscar. The Fourteen Sisters of Emilio Montez O'Brien. New York: Farrar, Straus & Giroux, 1993.

---. The Mambo Kings Play Songs of Love. New York: Harper and Row, 1989.

---. Our House in the Last World. New York. Washington Square Press, 1983.

Hinojosa, Rolando.  Klail City.  Houston: Arte Publico Press, 1987.

Horno-Delgado, Asuncon, et al., eds.  Breaking Boundaries: Latina Writings and Critical Readings.  Amherst: University of Massachusetts Press, 1989.

Huerta-Macias, Ana.  "Code-Switching: All in the Family."  Duran 153-168.

Ibieta, Gabriella.  "Transcending the Culture of Exile: Raining Backwards."  Literature and Exile. Ed. David Bevan. Amsterdam and Atlanta, GA: Rodopi, 1990.  67-76.

Islas, Arturo. Migrant Souls. New York, Avon Books, 1990.

---. The Rain God. New York, Avon Books, 1984.

Jefferson, Margo.  "Dancing into the Dream." Rev. of The Mambo Kings Play Songs of Love, by Oscar Hijuelos. The New York Times Book Review 27 Aug. 1989: 1.

Johnson, David. "Face Value (An Essay on Cecile Pineda's Face)." Americas Review 19.2 (1991): 73-93,

Kanellos, Nicoas. "Orality and Hispanic Literature of the United States." in Redefining American Literary History.  Ed. A. LaVonne Brown Ruoff  and Jerry W. Ward, Jr.  New York: Modern Language Association of America, 1990. 115-123.

---,  ed.  Short Fiction by Hispanic Writers of the United States. Houston: Arte Publico, 1993.

Kenner, Hugh.  The Pound Era.  Berkeley and Los Angeles: University of California Press, 1971.

Kloepfer, Deborah Kelly.  The Unspeakable Mother: Forbidden Discourse in Jean Rhys and H.D. Ithaca and London: Cornell University Press, 1989.

Kolmar, Wendy K.  "'Dialectics of Connectedness:' Supernatural Elements in Novels by Bambara, Cisneros, Grahn, and Erdrich." Haunting the House of Fiction: Feminist Perspectives on Ghost Stories by American Women.  Knoxville, TN: University of Tennessee Press, 1991. 236-249.

Lattin, Vernon E., ed.  Contemporary Chicano Fiction: A Critical Survey. Binghamton, NY: Bilingual Press / Editorial Bilingue, 1986.

Leal, Luis. Aztlan y Mexico: Perfiles literarios e historicos. Binghamton, N.Y.: Bilingual press/Editorial Bilingue, 1985.

---, and Pepe Barron. "Chicano Literature: An Overview." Three American Literatures: Essays in Chicano, Native American, and Asian-American Literature for Teachers of American Literature.  Ed. Houston A. Baker, Jr. New York: Modern Language Association of America, 1982. 9-32.

Levine, Suzanne Jill.  The Subversive Scribe: Translating Latin American Fiction.  Saint Paul: Graywolf Press, 1991.

Lindstrom, Naomi. Twentieth-Century Spanish American Fiction. Austin: University of Texas Press, 1994.

Little, Judy.  "(En)gendering Laughter: Woolf's Orlando as Contraband in the Age of Joyce." Last Laughs: Perspectives on Women and Comedy.  Ed. Regina Barreca. Studies in Gender and Culture 2.  New York and London: Gordon and Breach, 1988.  179-191.

Lodge, David.  After Bakhtin: Essays on Fiction and Criticism.  London and New York: Routledge, 1990.

McCracken, Ellen.  "Latina Narrative and the Politics of Signification: Articulation, Antagonism, and Populist Rupture." Critica: A Journal of Critical Essays. 2.2 (1990): 202-207.

---.  "Sandra Cisneros' The House on Mango Street: Community-Oriented Introspection and the Demystification of Patriarchal Violence."  Horno-Delgado 62-71.

Martinez, Eliud.  Intro. The Road to Tamazunchale. By Ron Arias. Tempe, Arizona: Bilingual Press/Editorial Bilingue, 1987.

---.  "Ron Arias' The Road to Tamazunchale: A Chicano Novel of the New Reality." Latin American Literary Review 5 (1977): 51-63. (Rpt. in  Lattin  226-238.)

---.  Voice-Haunted Journey. Tempe, Arizona: Bilingual Press/Editorial Bilingue, 1990.

Mohr, Nicholasa.  El Bronx, Remembered: a Novela and Stories. Houston: Arte Publico Press, 1986.

---.  In Nueva York.  Houston: Arte Publico Press, 1988.

---.  Nilda. Houston: Arte Publico Press, 1986.

---.  "On Being Authentic." Americas Review.  14.3-4 (1986): 106-109.

---.  "Puerto Rican Writers in the U.S., Puerto Rican Writers in Puerto Rico: A Separation Beyond Language."  Horno-Delgado 111-121.

---.  Rituals of Survival: A Woman's Portfolio. Houston: Arte Publico Press, 1986.

---.  "The Journey Toward a Common Ground: Struggle and Identity of Hispanics in the USA."  Americas Review.  18.1 (1990): 81-85.

Monegal, Emir Rodriguez. ed. The Borzoi Anthology of Latin American Literature. Vol. I.  New York: Knopf, 1977.

---,  ed. The Borzoi Anthology of Latin American Literature. Vol. II.  New York: Knopf, 1977.

Morales, Aurora Levins, and Rosario Morales.  Getting Home Alive.  Ithaca, New York: Firebrand Books, 1986.

Moraga, Cherrie, and Gloria Anzaldua, eds.  This Bridge Called My Back: Writings By Radical Women of Color.  New York: Kitchen Table: Women of Color Press, 1981.

Nieto, Eva Margarita. "The Dialectics of Textual Interpolation in Ron Arias' The Road to Tamazunchale.  Lattin 239-46.

Ortega, Eliana.  "Poetic Discourse of the Puerto Rican Woman in the U.S.: New Voices of Anacaonian Liberation."  Horno-Delgado 122-135.

Ortega, Julio. "La primera pagina de Cien anos de soledad."  En el punto de mira: Gabriel Garcia Marquez.  Ed. Ana Maria Hernandez. Madrid: Editorial Pliegos, 1985. 137-149.

Ortiz, Rafael Cancel. "The Language Conflict in Puerto Rican Literature."  Americas Review.  18.2 (1990): 103-113.

Paredes, Americo.  With his Pistol in his Hand.  Austin: University of Texas Press, 1958.

Paz, Octavio.  The Labyrinth of Solitude.  Trans. Lysander Kemp. New York: Grove Press, 1961.

Perez  Firmat, Gustavo. Life on the Hyphen: The Cuban-American Way.  Austin: University of Texas Press, 1994.

---.  Literature and Liminality: Festive Readings in the Hispanic Tradition. Durham: Duke University Press, 1986.

Pineda, Cecile. Face. New York: Viking Penguin, 1985.

---. Frieze. New York, Viking Penguin, 1986.

---. The Love Queen of the Amazon. Boston: Little, Brown and Co., 1992.

Poey, Delia and Virgil Suarez, eds.  Iguana Dreams: New Latino Fiction.  New York: HarperPerennial, 1992.

Ponce, Mary Helen.  Taking Control. Houston: Arte Publico Press, 1987.

---. The Wedding. Houston: Arte Publico Press, 1989.

Portillo-Trambley, Estelle.  "Pay the Criers." The Third Woman: Minority Women Writers of the U.S.  Ed. Dexter Fisher. Boston: Houghton Mifflin, 1980. 361-376.

---. Trini. Binghamton, New York: Bilingual Press, 1986.

Pound, Ezra.  Literary Essays of Ezra Pound. 1918. New York: New Directions, 1968.

Quintana, Alvina E.  "Ana Castillo's The Mixquiahuala Letters: The Novelist as Ethnographer." Criticism in the Borderlands: Studies in Chicano Literature, Culture, and Ideology. Eds. Hector Calderon and Jose David Saldivar. Durham and London: Duke University Press, 1991. 72-83.

Rebolledo, Tey Diana. "Abuelitas: Mythology and Integration in Chicana Literature." Woman of her Word: Hispanic Women Write.  Ed. Evangelina Vigil. Houston: Arte Publico Press, 1987. 148-158.

---,  and Eliana S. Rivero. eds.  Infinite Divisions: An Anthology of Chicana Literature.  Tucson and London: University of Arizona Press, 1993.

---.  Women Singing in the Snow. Tucson / London: University of Arizona Press, 1995.

Rechy, John. The Miraculous Day of Amalia Gomez. New York: Arcade Publishing, 1991.

Rios, Alberto.  The Iguana Killer: Twelve Stories of the Heart. New York: Kampmann & Co., Inc., 1984.

---.  Pig Cookies and Other Stories.  San Francisco: Chronicle Books, 1995.

Rivera, Tomas.  ...And the Earth did not Devour Him. Trans. Evangelina Vigil-Pinon.  Houston: Arte Publico Press, 1992.

Rivero, Eliana S. "From Immigrants to Ethnics: Cuban Women Writers in the U.S." Breaking Boundaries: Latina Writings and Critical Readings.  Horno-Delgado 189-200.

---. "Hispanic Literature in the United States: Self-Image and Conflict." Americas Review. 13 (1985): 173 -192.

---. (Re)Writing Sugarcane Memories: Cuban Americans and Literature." Paradise Lost or Gained?: The Literature of Hispanic Exile. Eds. Fernando Alegra and Jorge Ruffinelli. Houston: Arte Publico Press, 1990. 164-182.

Robbe-Grillet, Alain.  "A Future for the Novel."  For a New Novel.  Trans. R. Howard. New York: Grove Press, 1965.  Rpt in Twentieth Century Literary Criticism.  Ed.  David Lodge.  London and New York: Longman, 1972. 467-472.

Robinson, Louie Garcia. The Devil, Delfina Varela & the used Chevy. New York: Anchor Books, 1993.

Rocard, Marcienne. "The Remembering Voice in Chicana Literature." Americas Review. 14.3-4 (1986): 153-154.

Rodriguez, Abraham Jr. The Boy Without a Flag: Tales of the South Bronx. Minneapolis: Milkweed Editions, 1992.

---. Spidertown. New York: Hyperion, 1993

Rodriguez, Richard.  Hunger of Memory. New York: David R. Godine, 1982.

Rogers, Jane.  "The Function of the La Llorona Motif in Anaya's Bless Me, Ultima."  Lattin 269-277.

Ruoff, A. LaVonne Brown and Jerry W. Ward, Jr. eds. Redefining American Literary History.  New York: Modern Language Association of America, 1990.

Saenz, Benjamin Alire. Carry Me Like Water. New York: Hyperion, 1995.

---.  Flowers for the Broken. Seattle: Broken Moon Press, 1992.

---.  "I Want to Write an American Poem: On Being a Chicano Poet in Post-Columbian America."  Currents From the Dancing River: Contemporary Latino Fiction, Nonfiction, and Poetry.  Ed. Ray Gonzalez.  San Diego, New York, London: Harcourt Brace & Co., 1994. 522-536.

Said, Edward.  Culture and Imperialism.  New York: Knopf, 1993.

Saldivar, Jose David. Dialectics of Our America: Genealogy, Cultural Critique, and Literary History.  Durham and London: Duke University Press, 1991.

Saldivar, Ramon.  Chicano Narrative: The Dialectics of Difference.  Madison, WI: University of Wisconsin Press, 1990.

Sanchez, Rosaura. Chicano Discourse: Socio-historic Perspectives.  Rowley, MA: Newbury House Publishers, 1983.

---.  "Chicano Prose Writers." Herrera-Sobek 61-70.

---.  "Discourses of Gender, Ethnicity and Class in Chicano Literature."  Americas Review. 20 (1992): 72-88.

---.  "Ideological Discourses in Islas's The Rain God." Calderon and Saldivar 114-126.

---.  "Postmodernism and Chicano Literature."  Aztan  18.2 (1987): 1-14.

Sandoval, Alberto.  "Dolores Prida's Coser y cantar: Mapping the Dialectics of Ethnic Identity and Assimilation." Horno-Delgado 201-220.

Scott, Nina M. "The Politics of Language: Latina Writers in United States Literature and Curricula." Melus 19.1 (1994): 57-71.

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